  
    Some of these 4 Clark designs predate the May 1962, when the
    prototype was started, says Holly. 
    One of many Testimonials documented:
     
    "Mr. J.J. Telnack, former Vice President of Corporate Design, for Ford
    Motor Company said, “Phil was one of our most talented designers and was
    part of the original Mustang design team throughout its development in 1962
    until it’s launch. He had considerable influence on the total design with
    the early prototype Mustang concept vehicle that he [Clark] directed" 
    Holly Clark  
    
    
     
     
    What Najjar said about Phil
Clark already in 1984: 
     
    
"Question:  So, Phil Clark did the original Mustang drawing?
     
A:      That's
right. And I have one of the original little metal models of the ornament. There was a Mustang
I drawing that Phil Clark did for us at the time, and it ended up in our
employee personnel office. I saw it a few years ago before I left.  
 
 One guy was
visiting Jay Dulls' office, and he was from World Headquarters, and he said,
"Gee, I like that drawing." Jay said, "Well, you know, it's our
policy to move it from office to office."  
 So, he gave it to the guy at
World Headquarters to put in his office. I tried to track it down. Seems like
the guy at World Headquarters, whose name Jay can't remember, which I'm
surprised at, has it in his home." 
The full Najjar interview can be read here 
More from David Ash here 
 
 
 
   
  
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  The
  Ponymaker story has just begun 
  The volume of documentation about Phil
  Clarks work in the Ford Design from April 62-late 1967 has ever increased ...since we
  started this topic here on Ponysite.de in 2005.  
  Box after Box with many a
  rendering, drawing, photo plus contributing eye witnesses and reports have
  made the history of the Mustang more transparent and at the same time more
  colourful. 
   
  We tried to let you participate in this ongoing research from 2005 on with a first
  structuring, a proper timeline
  and  the building of an organisation diagram to follow the story more clearly.  
   
  Ponysite will continously work on this, but since Holly is going to publish the full
  story in her books to come, this will be just the
  icing you might read here. All the proofs, facts and testimonials are
  presented in those books, as Holly is researching them since 1985. 
  Keep an eye on the story and follow our Phil Clark SPECIAL, but the only way
  to support her in 
  Finding My Father is to buy her books or
  merchandising items sold by Holly on ebay. 
   
  
  
  There is so much that has not been published yet about the actual Design of the
  Mustang and the origin of its european counterpart  - the Capri -plus more elements that went into later
  Ford USA designs - influenced by Phil Clark. Remember this name and try to get
  it out to other Mustangers.  
   
  You'll read more and more in other publications (like the 2010 published book
  Mustang Genesis from Bob Fria), remember this site and 2
  others (nzmustangs.com and muscularmustangs.com) were the first 3 to speak out
  on the web. The MCA is finally opening its door and more and more institutions
  are accepting that there was an influcencing factor in the birth of the
  Mustang idea. Holly Clark will be present at the MCA 2006 meeting.  
  
   
  And it gets more and more interesting with each bit of information. A
  storyboard for a thrilling Movie about an american icon and its backstage
  scenario in the studios. We hope, some higher rank of Hollywood movie
  makers will make a HollyClark movie around the creativeness of her father. A
  Man that deserves to be honoured and respected by any Mustanger. 
   
  
   
    
  16 Stylists worked in the Ford Advanced Vehicles Studio. Roy
  Lunn and a few more engineers are pictured here as well. Clark is pictured as
  the 3rd from left. Note the Mustang writing, that is a part of Clarks first
  Mustang Pony emblem! 
  Picture courtesy Ford 
  
  
   
  
  The
  final Honoring of a talented Designer  
 with a vision  The
  true story about the Pony origin and the Mustang I design 
  
 
  Most Mustang books relate to John Najjar as the designer of the Mustang I and
  the galopping horse. While it is true that he might have had his hands and pens
  on the artwork and designs, there was yet somebody who had the vision and indeed the idea
  brought with him, before joining Ford. The exact dates have been a long time a
  mystery, but things are moving on these days with more support given by
  well-known executives and retired designers. We are soon putting up a more
  accurate timeline based on personal log
  books. 
   
  It is fact acc. to Holly  Clark after extensive research,  that indeed the idea of a
   Mustang sports car had been
  presented once to GM, but due to personal inflictions between an exec and the
  designer, the designer got fired before the idea made its way through to the
  management level. After his change to Ford however the idea was promoted and -
  as confirmed by Chuck Jordan (GM Design Chief) prepared for a presentation to
  Bill Mitchell. More on this in the GM section of this website.
   
  We are talking about Phil
  Clark, a young talented
  designer, whose career ended unfortunately in his young years in February
  1968, after
  having suffered of a severe kidney problem.
 
  
   
   
 
   
"First of all Daddy wanted to leave a car behind with his name on it..."Body
by Clark". That was why he was trying to perfect the perfect car.. He said
when a person stepped into a Cadillac, it says in the doorplate "Body by
Fisher"... he wanted a company to create a car and on the door plate say
"Body by Clark"...
  
   
  
    - Dad draw "tame" horses already very
      early, not like a typical animal drawing, but he was fascinated by horses
      (several "early artwork" will appear in my book)
 
    - Dad started the Mustang design -- HIS CAR DESIGN--even before
      the Design School started
 
    - On the way to the Design school, he saw the wild Mustangs in Nevada. 
 
    - He then changed his former "tame horse"
      drawings..which he was  known for, to WILD HORSES: Mustangs. The lines set it apart and made it an
      emblem... (no red/white/blue yet)
 
    - Dad sent out his drawings to various companies
      like Chrysler ...and publications  
 
    - He started perfecting HIS CAR DESIGNS at the
      famous Art Center School of Design... and
      included the Mustang Running horse on it.... and called it MUSTANG across
      the front of it.. His school-mates confirm this.
 
    - Thus the explanation for our renderings...dad's artwork..that pre-dates
      FORD. 
 
    - Dad was hired immediately out of art school to go to
      GM for a nine month lasting job...working on "dream cars"... 
 
    - Dad tried to get GM to accept HIS Car
      Design...MUSTANG... in it's
      entirety..emblem and all... 
 
      Dad got on the wrong side of a GM exec....
      
      
     
    - Dad was fired from GM after 9 months.
 
    - Even before mom and dad could lose their apt in Detroit... Ford hired
      dad... they were looking for a new sports car...
 
    - Dad came to Ford with the complete MUSTANG idea...
 
    - It was accepted in late April 1962..and continued to be accepted up the ladder of Ford
      Design.
 
    - Then came the time for a name for the car... and the emblem. Several
      names were thrown out for the car... and the emblem ideas..and names were
      projected by transparency on a wall for the executives ..
 
    - It was unanimous: They liked the "horse"... and then
      said..So how do we know this is an AMERICAN HORSE? (See pic. on left)
 
 Dad got up.. and with Red White
      & Blue Marker colored in his lines behind the horse... Red/White/
      Blue.. 
    - It was accepted.... the Prototype was on!
 
    - The affordable sports car was not going as
      planned, but the
      promotion for the Mustang I Prototype was creating the hype expected.. Therefore
      the redesigned Falcon..of 64 1/2 (Cougar study)... was released with the MUSTANG and the 
      Emblem and a
      few other oddities. of the prototype... dad continued to work on the
      Mustang design...but he JUST got to FORD...so HIS other MUSTANG
      designs..didn't come out until later years after the finish of his
      FIRST Mustang design..... That is why there was such a change in the
      design...daddy wasn't there for the first production mustang
      designs...until they were almost complete... his ideas were very
      different.
 
    - He tried to take his designs to England, but England ...well that is
      another story 
 
       
   
  I am working on a series of books with dad's designs..and the way I discovered the
  information. It is called, "The Man Behind The Pony" ....how I found
  out about my father and his involvement in the Design World." 
  Holly Clark  
  
  
   
  
  New
  found proofs of Phil Clarks design influence will shake the Mustang world! 
  Although Holly Clark - daughter of Phil Clark - got several positive letters
  & phone calls from Ford regarding the design involvement of her Dad,
  some people outside are oblivious to the truth. "Due to doubts
  among supposed Mustang Historians",
  Holly has continued to prove written family correspondence with further
  research since 2005.  
   
  She spoke to Art Center School (California) colleagues of Phil;
  GM executives; a number of retired Ford Designers and other stylists and
  designers around the world. One contact lead to another. Meanwhile, many
  of a proof of Phil Clark's "long-term" influence in the Mustang
  design has been found and will be published in Holly Clark's book. A lot
  of interviews with famous Mustang historians like Gary Witzenburg, and Randy
  Leffingwell, and a number of original Design Center and personal letters
  gave evidence that indeed the Mustang design history should be rewritten in
  many a book. 
   
  
   
  
  What drives Holly
       in getting the necessary respect for her fathers work is
  indeed respect and acknowledgement only; but what makes her a bit upset these days, is a certain attitude of some institutions who don't want to
  listen and even turn down honorable mention or acceptance of the facts. The case would be
  pretty easy solved with the appropriate honoring of a very skilled young
  talent and influential designer. The reading of all this history bits is a
  must -  about Phil Clark's presentation
  of the Mustang idea from Art Center School to his brief nine months with
  GM, the infliction's at Ford, and subsequent wooing to Chrysler because of his
  design expertise, beginning with THE MUSTANG.  
   
  You will also see Phil's
  influence in the design world from Thunderbird's redesign, Lincoln Continental
  (including Lincoln/Mercury's emblem), european cars like the
  Capri and many
  others. Read what J.J. Telnack (Phil's personal friend and confident),
  John Breeden, William M. Brownlie, Chuck Jordan and other executives in the
  automobile world have said about Phil's contribution to the Automobile as we
  know it today. Even though the late Clark died in 1968; according to
  personal family letters his designs even influenced 69/70 Mustangs. The
  facts will be in Holly's books available , and then you can be the judge
  of the facts presented. 
   
    
   
     
  More  updates and background 
  info linked here on www.nzmustangs.com
  and www.muscularmustangs.com  
  Both website keep up interest in this interesting case 
   
  Interesting reading on this issue:  
      Oct.
  2004 Interview with John Najjar (86) on Brad Barnetts former site 
   
  
  See also this Ponysite News Page
  for updates
  
   
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